A Look at Barikisu: Critiquing Issues 1 and 2
11 Oct 2024
Spotlight

Recent Posts
Of Cowries and Clashes: A Critic's Eye on Cursed Clouds Issues 1 & 2
9 May 2025
Breaking: Zebra Comics Global Set to Launch to Meet Surging Reader Demand
2 May 2025
Popular Anime Demon Slayer Set to Grace Nigerian Theatre Screens: FilmOne’s Victoria Ogar Reveals at RendaCon 2025
25 Apr 2025
“You are Your Own Jesus Christ” - Magic Lab Academy's Co-Founder Speaks on Challenges in the Nigerian Animation Industry and the Way Forward
23 Apr 2025
Red, Black, and Grey: A Case Study of Afroblot and its Rise as an African Comic Art Movement
10 Apr 2025
“Zauzau is in battle and her crown must not fall”
These words encapsulate the quintessence of this comic by Epoch Studios. From the very first page, the protagonist, Queen Aminatu, commandeers our attention—not merely as a heroine battling an evil but as an emblem of fortitude, resolve, and resilience in a world that too often feasts upon the vulnerable. Let us plunge into the realm of Barikisu and unravel what renders her such a captivating figure within the African comics tapestry.

The Visual Majesty
The artistry in Barikisu speaks with a resounding clarity. Each panel throbs with vitality, mirroring the intensity of an ancient kingdom in northern Nigeria. The protagonist’s character design is, without doubt, arresting: her stance, countenance, and attire reflect her cultural heritage and her indomitable spirit. When the warrior queen stands resolute against the forces against her people, one can almost sense the gravitational pull of her presence. She is not merely a heroine for her people; she is a tempest in her own right.
The background artistry, on the other hand, does not consistently ascend to the same heights of dynamism. While the hues—vibrant ochres and warm reds—capture the searing essence of the north thoroughfares, the environments occasionally appear somewhat incomplete. There exist moments where the city, which ought to pulsate as a character in its own narrative, recedes into a pallid existence, devoid of the intricate detail that might have elevated the sense of place. The battle area, as well as the city of Kaduna, deserve to resonate with the same vibrancy as the major character herself; alas, in certain panels, it resembles a mere whisper rather than the cacophonous metropolis it ought to embody.

Reluctant Heroism
The offspring of the dead warrior queen’s odyssey as a reluctant heroine is where this comic truly flourishes. She does not embark upon her journey as a vigilante; rather, she is thrust into a role from which she cannot retreat. Her world is not delineated in stark contrasts, and neither is she. Her strength resides not solely in her physical prowess but in the depth of her humanity. She is flawed, grappling with the weight of her responsibilities.
The narrative in these initial issues portrays Amina, now Barikisu, with a rawness that is invigorating. She does not possess all the answers, nor is she perpetually in the right. It is her moments of uncertainty and vulnerability that render her so engaging. She does not profess perfection; she merely strives to endure within a system intent on her undoing. This tension between her formidable strength and her inherent fragility constitutes the most human aspect of the tale, ensnaring the reader’s emotional investment.
The dialogue, however, could benefit from refinement. Some exchanges between characters veer into melodrama, occasionally treading the path of cliché. The villains, in particular, tend to succumb to this pitfall, delivering lines that seem to have been extracted from a generic “antagonist” compendium. A touch more nuance in their motivations and language would elevate them from mere caricatures to fully realised adversaries.

Pacing and Plot: A Gradual Unfolding
If there exists a singular grievance, it pertains to the pacing. The inaugural issue, while intriguing, exhibits a reluctance to hasten its stride. It lays the groundwork but leaves one yearning for that moment when the narrative erupts into fervour. By the time we traverse into the second issue, the story does gain some momentum, yet there persists a sensation that the creators are exercising restraint, reserving the grand crescendos for a later juncture.
While it is commendable that Barikisu is constructing a world and establishing the underpinnings for forthcoming story arcs, this slow burn may test the patience of certain readers. We crave more than mere glimpses of what lies ahead. The plot yearns for a defining, memorable moment—something that solidifies Barikisu’s standing as a heroine capable of standing shoulder-to-shoulder with any comic book titan. The promise is palpable, yet it must manifest more robustly, and posthaste.

Reflecting Her Roots and a Promising Horizon
What truly distinguishes Barikisu from the mainstream comics milieu is its profound entrenchment in Nigerian culture. The dialogue flows effortlessly between English and local dialects, and the social dynamics resonate instantly with those familiar with the complexities of life in the North. Barikisu emerges not merely as a hero for herself but as a champion for her people.
Barikisu is a comic imbued with heart, ambition, and abundant potential. It is somewhat rough around the edges—the pacing could be tightened, the villains require greater depth, and the background artistry could bear more weight—but these are minor critiques of a tale that is still in the throes of discovery. Barikisu herself is a character deserving of our fervent support, and her journey, though merely commencing, feels one worth following to its ultimate conclusion.